| SELECTED AWARDS / GRANTS / RESIDENCIES |
| 2007 |
Africa Center Spier Contemporary Award, Cape Town, South Africa
|
| 2006 |
Artist-in-Residence, CRIC/ ecav, Sierre/ Siders, Switzerland
|
| 2005 |
National Arts Council Grant, Johannesburg, South Africa
|
|
Artist-in-Residence, Khoj International Photography Residency, New Dehli, India
|
|
Artist-in-Residence, Frans Masereel Centre, Kasterlee, Belguim
|
| 2004 |
Artist-in-Residence, ArtOmi International Artist Residency. Ghent, New York, USA
|
| 2003 |
Brett Kebble Award for Photography, Cape Town, South Africa
|
|
Artist-in-Residence, CRIC/ ecav, Sierre/ Siders, Switzerland
|
| 2002 |
Johannesburg Art City Awards, South Africa
|
|
Artist-in-Residence, Greatmore Studios, Cape Town, South Africa
|
|
Artist-in-Residence, CAMOUFLAGE, EUROPEAN SATELLITE of the centre of contemporary art of Africa,
|
|
Brussels, Belgium
|
| 2002 |
First National Bank VITA Awards Nominee, Johannesburg, South Africa
|
| 2001 |
National Arts Council Grant, Johannesburg, South Africa
|
|
Kempton Park/ Tembisa Fine Arts Award, Johannesburg, South Africa
|
| 2000 |
Artist-in-Residence, HOLLAND SOUTH AFRICA LINE and Thami Mnyele Foundation, Amsterdam, Netherlands
|
| 1999 |
National Arts Council Grant, Johannesburg, South Africa |
|
Artist-in-Residence, Ampersand Foundation Fellowship, New York, United States
|
| 1998 |
Curator visiting program, Swedish Institute, Stockholm, Sweden
|
|
Curator visiting program, Danish Arts Council, Copenhagen, Denmark
|
| 1996 |
Curator visiting program, French Institute South Africa, Dakar Biennale, Dakar, Senegal
|
| 1995 |
Artist-in-Residence, Museum of Contemporary Art, University of Chile, Santiago, Chile
|
| 1994 |
Curator visiting program, Danish Ministry of Culture, Copenhagen, Denmark |
| SELECTED GROUP EXHIBITIONS |
| 2010 |
Ampersand, curated by Christian Ganzenberg, Daimler Contemporary, Berlin, Germany |
|
1910 - 2010 From Pierneef to Gugulective: A Fresh Look at a Century of South African Art, curated by Riason |
|
Naidoo, Iziko South African National Gallery, Cape Town, South Africa |
|
Mooimarkshow III, curated by Spunk Seipel, Galerie Weisser Elefant, Berlin, Germany |
| 2009 |
Vision Building: Architecture in Contemporary Photography, curated by Melissa Mesina, SCAD, Savannah, GA, USA |
|
SEE3, Collaboration with Ella Ziegler, Temporäre Kunsthalle Berlin, Germany |
|
Art Moves, The Festival of Art on Billboards, Toruń, Poland |
|
The Heart of the African City, curated by Shane de Lange, University of Pretoria, South Africa |
|
Unisa Art Gallery New Acquisitions Exhibition, UNISA, Pretoria, South Africa |
|
Construct (touring exhibition), curated by Heidi Erdmann and Jacob Lebeko, Goethe Institute Johannesburg, |
|
Johannes Stegmann University Art Gallery,Bloemfontein, Nelson Mandela Art Museum, Port Elizabeth, South Africa |
| 2008 |
Thami Mnyele + Medu Art Ensemble Retrospective, curated by Clive Kellner, Johannesburg Art Gallery, |
|
Billboard Text Art - EMERGING WOR(L)DS, TINA B, Prague, Czech Republic |
|
Construct (touring exhibition), curated by Heidi Erdmann and Jacob Lebeko, Durban Art Gallery, |
|
University of South Africa, Pretoria, South Africa |
|
Home is my Castle, The Photographers Gallery ZA, Cape Town, South Africa |
|
Departure, The Photographers Gallery ZA, Cape Town, South Africa |
|
Spier Contemporary (touring exhibition), Johannesburg Art Gallery, Johannesburg, South Africa |
| 2007 |
SEE2, Collaboration with Ella Ziegler, Blank Projects, Cape Town, South Africa |
|
Spier Contemporary, African Centre, Stellenbosch, South Africa |
|
Cosmos Mundo Forever, curated by Fernando Alvim, Trienal De Luanda, Angola |
|
Messages and Meaning (touring exhibition), curated by Philippa Hobbs, Durban Art Gallery, South Africa |
| 2006 |
SEE, Collaboration with Ella Ziegler, Parking Gallery, Johannesburg, South Africa |
|
Take Me To The River, Wichita Falls Museum of Art at Midwestern State University, Texas, USA |
|
Messages and Meaning, curated by Philippa Hobbs, Oliewenhuis, National Art Museum, Bloemfontein, South Africa |
|
visions d’artistes, Commissaire de L’expo: Omar Diack Biennale Dak’Art 2006, Senegal |
|
Nederland 1, curated by Tiong Ang, museumgoudA, Gouda, Netherlands |
| 2005 |
Open Studio, Khoj Studios, New Delhi, India |
|
KOVIDEO, 1st Durban Video Festival, Durban, South Africa |
|
Reflections: African Art Is…, curated by Laurie Ann Farrell, Museum for African Art, New York, USA |
|
Mooimarkshow-Wien-Johannesburg, curated by Spunk Seipel, Kunsthalle Exnergasse, Wien, Austria |
|
Real Presence – Floating Sites, 51st International Biennial Of Contemporary Art Venice, Italy |
| 2004 |
Resistance Reconciliation Reconstruction, Pretoria Art Museum, South Africa |
|
Negotiate, Johannesburg Art Gallery, South Africa |
|
making waves a selection of works from the SABC, art collection, Johannesburg Art Gallery, South Africa |
|
Brett Kebble Awards, Cape Town International Convention Centre, Cape Town, South Africa |
|
Recollection #1, objectnotfound, Monterrey, Mexico |
|
POST, Tama Art University Museum, Tokyo, Japan |
|
Lomo group exhibition, The PhotoZA Gallery, Johannesburg, South Africa |
|
Local, curated Jena Mcarthy, Franchise, Johannesburg, South Africa |
|
Sugar in the petrol, The British School at Rome Gallery, FotoGrafia 2004 Festival internazionale di Roma, Italy |
|
Democracy and change, Karoo Nasionale Kunstefees, Oudtshoorn, South Africa |
|
One Night Show, 291 Gallery, London, England |
| 2003 |
Stop and go, curated by Spunk Seipel, Neue Galerie Landshut, Germany |
|
The Ampersand Foundation 1997-2003, Warren Siebrits Modern and Contemporary Art, Johannesburg, South Africa |
|
Brett Kebble Awards, Cape Town International Convention Centre, Cape Town, South Africa |
|
FOTOFIESTA, curated by Koulla Xinistiteris, Medellin, Columbia |
|
on the road again, curated by Spunk Seipel, Berlin, Germany |
|
ABSA Atelier Award, ABSA Towers, Johannesburg, South Africa |
|
NEXT FLAG Reexistencia cultural generalizada, curated by Fernando Alvim, Charleroi, Belgium |
|
observatório # 5 Costa Reis Compilação de Arte Africana Actual, curated by Fernando Alvim, CAMOUFLAGE, |
|
Brussels, Belguim |
|
The Mooimark Show, curated by Spunk Seipel, 78 Mooi Street, Johannesburg, South Africa |
| 2002 |
FNB VITA Awards, Goodman Gallery, Johannesburg, South Africa |
|
ABSA Atelier Award, ABSA Towers, Johannesburg, South Africa |
|
ENEMIES/ VYANDE, with Santu Mofokeng, Klein Karoo Nasionale Kunstefees, Oudtshoorn, South Africa |
| 2001 |
JOUBERT PARK PUBLIC ART PROJECT, Johannesburg Art Gallery and Joubert Park Precinct, South Africa |
|
ABSA Atelier, ABSA Towers, Johannesburg, South Africa |
|
switch on/off, curated by Marcus Neustetter, Klein Karoo Nasionale Kunstefees, Oudtshoorn, South Africa |
| 2000 |
Memorias Intimas Marcas, curated by Fernando Alvim, Museum van Hedendaagse Kunst Antwerpen, |
|
Antwerp, Belgium. |
|
Translation/ Seduction/Displacement, curated by Lauri Firstenberg and John Peffer, White Box Gallery, New York |
|
Holland South Africa Line, Castle of Good Hope, Collaboration with Tiong Ang, Cape Town, South Africa |
|
Killing Time, curated by Marc Edwards, Civic Gallery, Johannesburg, South Africa |
|
DECONSTRUTION Popular Culture Exhibition, curated by Clive Kellner, Camouflage, Johannesburg, South Africa |
|
Interchange-Moving images, curated by autopsia, Camouflage, Brussels, Belguim |
|
Holland South Africa Line, Bagagehal Loods 6, Amsterdam, Netherlands |
|
Translation/Seduction/Displacement, curated by Lauri Firstenberg and John Peffer, ICA at Maine College of Art, |
|
United States of America |
|
urban futures, curated by Marcus Neustetter, Gertrude Posel Gallery Wits, Johannesburg |
|
ABSA Atelier Award, ABSA Towers, Johannesburg, South Africa |
| 1999 |
Present Continuous, The Open Window Contemporary Art Gallery, Pretoria, South Africa |
|
ABSA Atelier Award, African Window, Pretoria, South Africa |
| 1998 |
Memorias Intimas Marcas, curated by Fernando Alvim, Lisbon, Portugal |
|
Stuffit, Gallery Ynglingagatan1, Stockholm, Sweden |
|
A day in the life THE CRIMEAN PROJECT/ PART 1, curated by Marta Kuzma SCCA Gallery, Kiev, Ukraine |
| 1997 |
Purple and Green, Pretoria Art Museum, Pretoria, South Africa |
|
Lifetimes: An exhibition of South African Art, Curated by Ruth Sack, Aktionsforum Praterinsel, Munich, Germany |
| 1996 |
Hitch-Hiker, Generator Art Space/AICA, curated by Clive Kellner, Johannesburg, South Africa |
|
Volkskas Atelier Award, Pretoria Art Museum, Pretoria, South Africa |
| 1995 |
Spring Time in Chile, Museum for Contemporary Art, Santiago, Chile |
|
Brown and Green, Pretoria Art Museum, Pretoria, South Africa |
|
The Laager, curated by Wayne Barker, Newtown, 1st Johannesburg, South Africa (Fringe) |
|
Between the Posts, Arcadia Center, Pretoria, South Africa |
|
Artworks- the presence of the curator, Rembrandt Van Rijn, Market Theatre, Johannesburg, South Africa |
| 1994 |
Volkskas Atelier Award, ABSA Towers, Johannesburg, South Africa |
|
Absolute Ensemble, Arcadia Center, Pretoria, South Africa |
| 1993 |
Momentum Art, Pretoria Art Museum, Pretoria, South Africa |
| 1992 |
Volkskas Atelier Award, Durban Technikon, Durban, South Africa |
| SELECTED BIBLIOGRAPHY |
| 2010 |
Milena Nikolova, Abrie Fourie, Fair, pg.22-24, No. 11 / IV-2010, fairarts OG, Berlin, Vienna, 2010 |
|
Christian Ganzenberg, Abrie Fourie, Daimler Art Collection, pg. 58,59, Hirmer Verlag, München, 2010 |
|
Georg Diez and Christopher Roth, The 80*81 Book Collection, Volume 8, insert between pg. 48,49, Edition Patrick |
|
Frey, Zürich, Switzerland |
| 2009 |
Bettina Steinbrügge, Abrie Fourie, Art/ South Africa, pg. 87, vol 07 issue 04, winter |
|
Thami Mnyele + Medu Art Ensemble Retrospective, Clive Kellner and Sergio-Albio González, pg.208-211, Jacana, |
|
Johannesburg Art Gallery, 2009 |
|
Joanna Górska, Abrie Fourie, Art Moves, pg. 44,45, Toruń, Poland, October/ November 2009 |
| 2008 |
Patrick Burnett, SASOL runs for cover from controversial photograph, Art Times, 2008-09-01 |
|
Peter Machen, Construct: Beyond the Documentary Photograph at the Durban Art Gallery, Artthrob, Nov 2008 |
|
Liza Grobler, Hoogstaande werk kan dien as model vir fotografiese kuns, dieburger, 17 Julie 2008 |
|
Mary Corrigall, Spier goes in search of an identity, The Sunday Independent, March 30, 2008 Edition 1 |
| 2007 |
Adrienne Van Eeden, Agter eenvoud skuil baie wat tot nadenke stem, dieburger, 3 November 2007 |
| 2006 |
David Paton, Artists’ Books as Intersection of Codex and Digital Environment |
|
Bronwyn Law-Viljoen, Peter McKenzie & Abrie Fourie, Art/ South Africa, pg. 83, vol 04 issue 03, autumn |
| 2005 |
Miranthe Staden-Garbett, Discovering meaning in the commonplace, The Star, Thursday 15 December 2005 |
|
Bronwyn Law-Viljoen, Webtuiste word kuns, Die Wêreld, pg.32, Sondag 24 April, 2005 |
| 2004 |
Rory Bester, “Focus Gallery, Museum for African Art/ New York”, Art/ South Africa, pg. 61, vol 03 issue 02,summer |
|
Leoni Benghitat, “Die lewe deur ‘n lens”, LIG, pg. 24,25, Deel 69 no 11, November 2004 |
|
Ruth Sacks, “Abrie Fourie at the Museum for African Art, New York”, Atthrob, no. 85, 4 September 2004 |
| 2003 |
Chris Roper, “Into the deep end” Mail and Guardian, Friday October 10 to 16, 2003 |
|
Carine Zaayman, reviews, Art/ South Africa, pg. 68, vol 01 issue 04, winter 2003 |
|
Melvyn Minnaar, “Seeing the good in the bad” Cape Times, Tuesday, 29 April, 2003 |
|
Paul Edmunds, Abrie Fourie at Joáo Ferreira, Artthrob, no.69 , 1 May 2003 |
| 2002 |
John Eggesboe, Meditate on these things, pg. 101, free 13, Copenhagen, Denmark, Summer 2002 |
|
Kathryn Smith, Tough choices, Mail& Guardian, Johannesburg, 26 July 2002 |
|
John Peffer, Fragmentary Moments Mistaken For Something Meaningfull, FNB VITA ART PRIZE, JHB,13 July 2002 |
|
Clive Kellner, Enemies/ Vyande” Klein Karoo Nasionale Kunstefees, pg. 18, 19, 20, Oudtshoorn, March 2002 |
|
My Tongue in your Cheek, Kendell Geers, France, 2002 |
| 2001 |
Ashraf Jamal, TANDEM, HOLLAND SOUTH AFRICA LINE, 002, pg.3,4 |
|
Philippa Hobbs, “Santu Mofokeng Educational Supplement”, Taxi Art Books, pg. 9, 10 |
|
Johanna van Eeden, “ ‘n Wegneem-ete vir geestelike honger” Gauteng-Rapport, 14 Oktober 2001 |
|
Klein Karoo Nasionale Kunstefees, “switch on/off “, pg. 9,10, Oudtshoorn, April 2001 |
|
Philippa Hobbs, “A debate of Monumental Proportions” pg. 4, MTN Art Institute: Issue 2 April 2001 |
|
Michelle Matthews, “Rubbernecking in Africa”, Mail and Guardian, 16 January 2001 |
|
Sue Williamson, “Travel dairies: HSAL at the Cape Town Castle, Artthrob, no.41, 9 January 2001 |
| 2000 |
Edo Dijksterhuis, “Artistieke preoccupaties met Apartheid”, NRC Handsblad, 26 August 2000 |
|
Ruth Kerkham, “There is a bomb in the exhibition: Kendell Geers” Parachute, September 2000 |
|
John Peffer, “Return to sender” Translation/Seduction/Displacement, pg.34, Maine, Portland, USA, August 2000 |
|
Cotter H., “Displacement”, The New York Times, Friday, March 24, 2000 |
|
Brockington H. Translation/Seduction/Displacement, NY ARTS, Vol.5 n° 1,December 1999 - January 2000 |
|
Fourie A. MARCUS NEWS EUROPE NO 4, Brussels, January 2000 |
| 1999 |
co@rtnews, first issue, pg 4, 12, Johannesburg,1999 |
|
HORSE , Guy du Toit, Pretoria, 1999 |
| 1998 |
Atkinson B., “Home Sweet Home” Mail and Guardian, July 17-23, 1998 |
|
Twiggs L., “Deported”, SL magazine, December 1997/ January 1998 |
|
Roteiros 24 Bienal Internacional, São Paulo catalogue, pg. 207, 215, 220, 228, São Paulo, 1998 |
| 1997 |
Stevens M., “Show manipulates viewer in a clever, original way”, Pretoria News, Tuesday November 25, 1997 |
|
Atkinson B.,”A new aesthetic?”, Mail and Guardian, November 21- 27, 1997 |
|
Van Niekerk L.,”SA en oorsese ‘pers’ en groen kuns”, Die Beeld, Wednesday November 12, 1997 |
|
Berry O., “Purple and green”, Pretoria News, Wednesday October 8, 1997 |
|
Atkinson B., “Of love loss and longing” July 25- 31, 1997 |
|
Du Preez A., “City Scenes”, Pretoria News”, Tuesday June 24, 1997 |
| 1996 |
Friedman H., “Techno -mercenaries for hire”, Mail and Guardian, December 6-12, 1996 |
|
Stevens M., “As varied as women them selves”, Pretoria News, Tuesday March 12, 1996 |
|
Art in South Africa the Future Present, Williamson Jamal, Cape Town, Johannesburg, 1996 |
|
Universales 23. Bienal Internacional São Paulo catalogue,1996 |
|
Switch, catalogue, pg. 5,6,12, 14, 20, Africus Institute for Contemporary Art, Johannesburg, 1996 |
|
Snakes and Ladders, catalogue, DCA Gallery, New York, 1996 |
| 1995 |
Stevens M.,”A challenging experience”, The Pretoria News, September 1995 |
|
Berry O., “Drawing on the environment”, The Pretoria News, Wednesday August 2, 1995 |
|
Berry O., “On the cutting edge”, The Pretoria News, Tuesday January 9, 1995 |
|
Projected Artists Obietlivo: Roma” catalogue, 2RC Edizioni D’ Arte, 1995 |
|
Memory and Geography, catalogue for Doris Bloom and William Kentridge, Johannesburg, 1995 |
|
Africus Johannesburg Biennale, catalogue, Johannesburg, 1995 |
| SELECTED COLLECTIONS |
| ArtOmi, New York, United States of America |
| Billiton, Johannesburg, South Africa |
| Clive Kellner, Cape Town, South Africa |
| Costa Reis Compilação de Arte Africana Actual, Angola |
| Daimler Art Collection, Berlin, Germany |
| Danish Ministry of Culture, Denmark |
| ECAV/ CRIC, Sierre, Switzerland |
| Frans Masereel Centre, Kasterlee, Belgium |
| Hanz Bogatzke Collection of Contemporary African Art, Germany |
| Harrie Siertsema, South Africa |
| Hollard Collection, Johannesburg, South Africa |
| Jack Ginsberg Book Collection, Johannesburg, South Africa |
| Johannesburg Art Gallery, South Africa |
| Museum for African Art, New York, United States of America |
| objectnotfound, Monterrey, Mexico |
| Oliewenhuis, National Art Museum, Bloemfontein, South Africa |
| Pierre Lombart, Johannesburg, South Africa |
| Polokwane Art Museum, Polokwane, South Africa |
| Pondside Press, Rhinebeck, New York, United States of America |
| Pretoria Art Museum, Pretoria, South Africa |
| Rand Merchant Bank, Johannesburg, South Africa |
| Royal Museum of Fine Art in Antwerp, Belgium |
| SASOL, Johannesburg, South Africa |
| SCAD, Savannah, Georgia, United States of America |
| Sindika Dokolo African collection of contemporary art, Luanda, Angola |
| South African Broadcasting Corporation, Johannesburg, South Africa |
| The Graskop Hotel, Graskop, South Africa |
| THE MTN ART INSTITUTE, Johannesburg, South Africa |
| Tshwane University of Technology, Pretoria, South Africa |
| University of South Africa, Pretoria, South Africa |
| Vodacom, Johannesburg, South Africa |
| Willem Boshoff, Johannesburg, South Africa |